v7 of v: Sonny Rollins Secrets to V7 of V7 in But Not For Me Solo • Jazzadvice,What are Secondary Dominants? How to use them? - Simplifying Theory,Chord V7 - The Dominant 7th - My Music Theory,Dominant seventh | fittonmusic,
The II-7 chord (D-7) has the secondary dominant of A7. This is called the V7 of II or V7/II and occurs in that classic progression: Cmaj7 A7 D-7 G7. The secondary dominant of the III-7 (E-7) is a B7 and is labeled V7/III. The secondary dominant of IVmaj7 (Fmaj7) is a C7 and is labeled V7/IV.
We'll reveal some of his best jazz improvisation techniques over the tricky V7 of V7 progression, as well as the intricate thinking behind his genius. Get ready because this Sonny Rollins solo is practically a masterclass in how to approach the dozens of tunes that use the unique V7 of V7 sound.
Secondary dominants take the form V/x or V7/x, where x is a normal scale degree. They are the dominant chords of scale degrees other than the tonic, and they'll typically include at least one note from outside the key.
The v chord in a minor key is sometimes minor and other times major or dominant 7th. In this lesson I explain a common adjustment of the v chord in major keys with example songs and bass exercises.